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- Enigmatic Ideogram (1996)
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- Barroque Ideogram II (1996)
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- Cornucopia Ideogram (1996)
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- Putrid Ideogram (1996)
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- Flowering Ideogram (1996)
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- Imperial Cornucopia (1997)
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- Requiem (1997)
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- Architectural Concept III (1997)
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- Head of a Painter (1997)
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- Architectural Concept IV (1998)
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- Architectural Concept II (1996)
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- Summa Ideogramática (1998)
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- Dialogue of Forms (1997)
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- Baroque Ideogram III (1998)
| Ideogramatic Series
The serious was born from the conceptual intention to represent through a Realist-Barroque technique (based on Vermeer and Velázquez), archetypal forms arising from the unconscious, which are also reminiscent of abstract surrealism. This initial purpose, manifested in the so called ‘ideograms’, is modified with the introduction of the human element, as seen in the ‘Ideogrammatic Still-Lifes, and the ‘Architectonic Concepts’. The ideograms posteriorly pass unto a second plane, where the human form predominates (next gallery). In stylistic terms, the work of these four years manifests an aesthetic, technical and programmatic coherence not seen again in the work of Figueroa.
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